{"id":328,"date":"2022-04-05T08:08:05","date_gmt":"2022-04-05T08:08:05","guid":{"rendered":"https:\/\/roswithawulff.com\/?page_id=328"},"modified":"2024-01-20T21:14:59","modified_gmt":"2024-01-20T21:14:59","slug":"about","status":"publish","type":"page","link":"https:\/\/roswithawulff.com\/?page_id=328","title":{"rendered":"About"},"content":{"rendered":"\n
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About me<\/h2><\/div>

In this world of change and distraction, the quality that I strive for in my work is a quiet simplicity. Making pots is a ritual \u2013 a celebration of the physical nature of being, and a renewal of life\u2019s energy, unfolding through the process of making. The adventure is in the pursuit.
Using the language of wood-firing, I create a personal vocabulary portraying the Australian landscape to which I am greatly attracted. My form is influenced by Art Nouveau or Jugendstil, reflecting the other half of my heritage.
Techniques are informed by pottery from China, Korea, Japan and Germany.<\/p><\/div><\/div>\n\n\n\n

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Articles<\/h2>\n\n\n\n
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What\u2019s so special about wood firing?<\/h4><\/div>

\u201cI am attracted to the wood-fired pot by the total carelessness of how each mark is made, as if delivered by chance.\u201d<\/p><\/div><\/div>\n\n\n\n

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Coming from tradition<\/h4><\/div>

\u201cI have a link with the craft traditions of my birthplace Persia, and through my life explorations and influences from the Middle East, Germany and China and Japan.\u201d<\/p><\/div><\/div>\n\n\n\n

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The aesthetics of wood firing<\/h3><\/div>

\u201cUnaware at the time we were embracing a very important aspect of aesthetics, an aspect often ignored in our western culture, the tactile importance of the work of art.\u201d<\/p><\/div><\/div>\n\n\n\n

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Ceramic Education<\/h3><\/div>

Lecture given at the 5th National Ceramics Conference in Sydney \u2013 1988<\/p><\/div><\/div>\n\n\n\n

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